Recorded at Darbar Festival 2022, at the Barbican Centre, London.

Musicians:
- Purbayan Chatterjee (Sitar)
- Rakesh Chaurasia (Bansuri)
- Patri Satish Kumar (Mridangam)
- Satyajit Talwalkar (Tabla)

Raag Bihag; Thaat: Kalyan; Samay: Night

Let's journey back in time to Darbar Festival 2022 when we were graced by the exceptional talents of Purbayan Chatterjee and Rakesh Chaurasia. Accompanied by the tabla maestro Satyajit Talkwalkar and Patri Satish on mridangam, they left London absolutely spellbound.

This is a very sweet melody equally popular with both the beginners as well as experts. P M G m G combination is Raag Vaachak. Madhyam Teevra and Madhyam Shuddha are used as follows: M P G m G or M P D M P G m G or P M D P M P G m G.

In Aaroh, Aalaps or Taans are always started with Madhyam Teevra rather then Madhyam Shuddha like: M P ; M P D G m G ; M P N S' N D P ;. But when Aalaps or Taans are started with any other note, Madhyam Shuddha will be used like: ,N S G m P N S'. In Avroh, Teevra Madhyam is used along with Madhyam Shuddha, like: M G m G; P D P M G m G. In Sapaat Taans (Straight Taans), only Shuddha Madhyam is used in Avroh, like: S' N D P m G R S.

As far as the Thaat of Raag Bihag is concerned, in olden days the Thaat was considered as Bilawal, as Madhyam Teevra was not used. No doubt the Raag is full of Bilawal Ang, for example D-G sangati, PmG RS etc. However in recent times the use of Madhyam Teevra is in practice. It is extensively used in different ways like MPGmG, N DP M P G m G, MPDMP GmG, P MGmG mG RS (still keeping Bilawal Ang intact). In view of use of Madhyam Teevra many renowned musician categorized Raag Bihag in Kalyan Thaat.

In Avroh, Rishabh and Dhaivat are not used as resting notes however they are used in Meend. In this Raag, Nishad is a prominent note and Aalaps or Taans are generally started from this note. This Raag is full of Shringar Ras. This is a Poorvang Pradhan Raag.