Ronu Majumdar | Raag Bhoopkali
Hindustani Instrumental
•
29m
Raag Bhoopkali is also known as Bhoopeshwari. It is believed to be a creation of Ustad Alladiya Khan of the Jaipur-Atrauli gharana. However, its emergence almost forty years after his death (1945) makes this information confusing. In the subsequent years of its soaring to popularity in music fraternities, many people credited Pandit Mani Prasad of the Kirana school as its creator. The name ‘Bhoopeshwari’ was also re-christened to ‘Bhoopkali’ by Pandit Hariprasad Chaurasia in the 1990’s.
In this video, Pandit Ronu Majumdar performs alap and jod in Raag Bhoopkali. He simply calls this raga a combination of the ragas Bhopali and Ramkali. Accompanying him on the tabla is Pandit Subhankar Banerjee who delves into the poignance of the melody, providing a soulful and elegant support.
Pandit Majimdar develops the alap with poise and breathy gamaks. The jod is a condensed affair, permeated with difficult phrases that weave fast taans that flit between higher and lower octaves in sophisticated patterns. The magnificent trills created with a fluttering technique draw out the charged pathos of Bhoopkali in enigmatic tonal sentences.
Raag Bhoopkali is an audav-audav raga, which means it uses five notes in both its ascent and descent. Due to its peculiar, meandering gait, it does not fit into any of Pandit Bhatkhande’s ten thaats. Therefore, it has not been classified under any parent scale in the Hindustani system.
The situation is pretty much the same in the Carnatic system as well because when embedded into the repertoire, Bhoopkali became Raag Vasanthi. Some suggest that this raga is derived from the 16th mela Chakravakam while some others think that it is the 25th mela Mararanjani, the 26th mela Charukesi, or even the 27th mela Sarasangi.
This raga uses komal Dha in both its ascent and descent. Rest of the five notes are pure or shuddha. Its arohana and avarohana are as follows:
S R G P dha S’
S’ dha P G R S
Musicians
Pandit Ronu Majumdar (bamboo flute)
Subhankar Banerjee (tabla)
Gunwant Dhadyalla (tanpura)
Raag Bhoopkali, alap and jod
Up Next in Hindustani Instrumental
-
Pandit Ronu Majumdar | Raag Shudh Sarang
Raag Shudh Sarang is a derivative of the ‘Sarang’ family of ragas that reside in the cluster of afternoon ragas in the Hindustani system. Sarang itself was born out of the rustic folk melodies of India and hence, any sarang-raga is inevitably influenced by the unpretentious simplicity of folk.
I...
-
Pandit Kushal Das | Raag Jaunpuri
Pandit Kushal Das's performance of raag Jaunpuri from the Darbar Festival 2021
-
Budhaditya Mukherjee | Hameer
Shot in an opulent heritage palace in Bawali located about 35 kilometres outside the periphery of Kolkata, this video seeks to bring the intimate ambience of a ‘baithak’ - a private soiree – to audiences. Till the earlier part of the 20th century, Indian classical music was a key element that con...