Recorded at Darbar Festival 2010 on 4th April, at King's Place, London.

Musicians:
- Venkatesh Kumar (khayal)
- Murad Ali Khan (sarangi)
- Satyajit Talwalkar (tabla)
- Tofail Ahmed (harmonium)

Raag Multani; Thaat: Todi; Samay: Afternoon
Raag Patdeep; Thaat: Kafi; Samay: Afternoon

Pandit Ku...

Das bridges the different styles of the Senia Maihar and Etawah gharanas providing a unique hybrid style. His rendering the popular afternoon Raag Bhimpalasi reflects his intense use of phrases interwoven to the strict raga framework which comes to a steady climax through speed and dexterity of t...

Musicians:
- Rajesh Vaidhya (electric veena)
- Satyajit Talwalkar (tabla)
- Neyveli Venkatesh (khanjira)
- HS Sudhindra (mridangam)

Raag Kafi Espresso

Vaidhya’s concerts are off-beat, free-spirited and often a trend-setter of sorts. Raag Kafi sounds eclectic on his electrical saraswati ve...

Pandit Sharma unfolds its majesty with a level of artistry that will remain an example for posterity. Jog is dominated by gliding notes and to play it on a staccato instrument as the Himalayan dulcimer (santoor) is a feat only Pandit Sharma can accomplish with his command over the instrument and...

This is a love or hate performance composed by Param Vir who brings the voices of Veena Sahasrabuddhe & Patricia Rozario, uniting khayal & soprano in a piece inspired by Raag Chayanat, bringing out the core magic of oneness in music.

Veena Sahasrabuddhe (1948-2016) was an esteemed Hindustani c...

Srikanth is adept at both Carnatic and Western traditions with parallel eloquence. This recital of Srikanth is a celebration of her unfazed dexerity and soulfulness with which she plays Raag Bahudari and Raag Saraswati. She chooses to have two mridangam players on stage breaking the monotony and ...