Mysore A Chandan | Vijayshri
Carnatic Tradition • 11m
‘Varanarada Narayana’ is a composition of Saint Thyagaraja (1767-1847). Set to Raag Vijaysri in Adi talam, it is one of the fast instrumental kritis that has been composed by the doyen of Carnatic musical trinity. Laden with murkis (curly notes), gamaks and drawn-out, patient notes, Mysore A Chandan gives a befitting performance of this enthralling piece.
He is accompanied on the violin by Dr. Jyotsna Srikanth, on the mridangam by Neyveli Venkatesh and on the ghatam by RN Prakash. With commendable phrases, Chandan weaves the raga using full, breathier standing notes and chirpy, percussive phrases. He adorns the kriti with swarakalpanas woven around intricate rhythmic patterns, building up a short but elaborate representation.
Dr. Srikanth, Venkatesh and Prakash support with heart-warming team-work and detailed melodic and rhythmic nuances.
Raga Vijaysri is considered a rare raga in the Carnatic system. It is derived from the 47th melakarta, Suvarnangi. It is a shadav-shadav raga, that is symmetrically uses 6 notes in its ascent and descent, omitting dhaivata in both the movements. Its arohana and avarohana are as follows:
S R1 G2 M2 P N2 S
S N2 P M2 G2 R1 S
It is said that Saint Thyagaraja was the first and the only one of the trinities to introduce this raga through this kriti.
Musicians
Mysore A Chandan (flute)
Dr. Jyotsna Srikanth (violin)
Neyveli Venkatesh (mridangam)
RN Prakash (ghatam)
Raag Vijaysri, instrumental composition by Saint Thyagaraja (1767-1847)
Up Next in Carnatic Tradition
-
Hari Kumar | Malayamurtum
S. Hari Kumar Sivan makes an impressive choice of this Patnam Subramania Iyer kriti, ‘Dhanyadevudo’ in Raag Malayamarutham and peppers it with the versatility of his 7-stringed violin. It is set to Adi talam and has a distinctive lilt to it. He gives a commendable performance of this masterpiece ...
-
Mysore A Chandan | Nata
The kriti ‘Mahaganapathim Manasa Smarami,’ is a composition of Muthuswamy Dikshitar (1775-1835). Inspired by the depictions of the elephant-headed Hindu deity on the walls of the Tiruvarur temple in Tamil Nadu, Dikshitar has written and given tune to at least 27 kritis defining and praising the v...
-
Jayanthi Kumaresh | Raga Basanta
Jayanthi Kumaresh’s enthralling rendition of Raag Basanta is a carrier of joy, hope and positivity. This is the third presentation, a piece filled with youthful spirit from her concert at the Darbar festival 2013. She performs a Saint Thyagaraja composition set to Rupak talam. In the Carnatic dis...